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Aya

Life in Yop City: Life in Yop City

ebook
1 of 1 copy available
1 of 1 copy available
Ivory Coast, 1978. It's a golden time, and the nation, too—an oasis of affluence and stability in West Africa—seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet's youth in Yop City. It is the story of the studious and clear-sighted 19-year old Aya, her easy-going friends Adjoua and Bintou, and their meddling relatives and neighbors. It's wryly funny, breezy account of the simple pleasures and private troubles of everyday life in Yop City. Clément Oubrerie's warm colors and energetic, playful line connect expressively with Marguerite Abouet's vibrant writing. This reworked edition offers readers the chance to immerse themselves in the lively world of Aya and her friends, bringing together the first three volumes of the series in Book One. Drawn & Quarterly has release volumes four through six of the original French series (as yet unpublished in English) in Aya: Love in Yop City. Aya is the winner of the Best First Album award at the Angouleme International Comics Festival, the Children's Africana Book Award, and the Glyph Award; was nominated for the Quill Award, the YALSA's Great Graphic Novels list, and the Eisner Award; and was included on "best of" lists from The Washington Post, Booklist, Publishers Weekly, and School Library Journal. Aya: Life in Yop City has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as Hostage by Guy Delisle and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.
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    • Publisher's Weekly

      February 19, 2007
      Abouet could have just wanted to tell a sweet, simple story of the Ivory Coast of her childhood as a counterpoint to the grim tide of catastrophic news, which is all most Westerners know of Africa. But inAya , Abouet, along with Parisian artist Oubrerie, does quite a bit more than that, spinning a multifaceted romantic comedy that would satisfy even without any political agenda behind it. Set in 1970,Aya follows the travails of some teenage girls in the peaceful Abidjan working-class neighborhood of Yopougon (which they call "Yop City, like something out of an American movie"), as they strive for love and the right boyfriend. Yop City, as detailed in Oubrerie's fluid and cartoonish black and white drawings, is a mellow place where disco rules the night and practically the worst thing these girls have to worry about is the disapproval of their parents\x97or in the case of the quiet title character, criticism from those who wish she were more boy-crazed and less focused on a career. It's a quick piece of work, but memorable in mood, capturing the country's brief flicker of postcolonial peaceful prosperity before descending into the modern maelstrom of corruption and violence we know only too well.

    • School Library Journal

      March 1, 2007
      Gr 10 Up-Studious Aya and her flighty party-girl friends, Adjoua and Bintou, live in suburban Ivory Coast in 1978. Aya hopes to continue her studies and become a doctor, while her father, a manager at a local brewery, would rather see her marry well. Unfortunately, the mate he has in mind for her, the son of his boss, is an even bigger partier than Bintou and Adjouaas all will soon find out. Aya is actually more observer than participantmost of the action revolves around the peripheral charactersalthough she is often an instigator. This realistic story immerses readers in the life of an Ivorian teen of the period. Yet for those familiar with the civil unrest occurring in this part of Africa during the ensuing years, the simplicity of life depicted can't help but be extra poignant; the subplot of one teen's unplanned pregnancy has universal elements. Oubrerie's images are comic and light, somewhat reminiscent of Joann Sfar's, who edited this collection when it was first published in France. There is also some fun back matter, including a glossary, how to wrap a "pagne" (skirt cloth), and a few recipes. This pleasing volume will make a good addition to graphic-novel collections."Jamie Watson, Harford County Public Library, MD"

      Copyright 2007 School Library Journal, LLC Used with permission.

    • Booklist

      Starred review from February 1, 2007
      Intelligent, practical, and kind older teen Aya has best girl friends besotted by romance and sex. She also seems to know a plethora of guys who are either intoxicated with their own studliness or a bit dim. Set in late 1970s Ivory Coast, this accessible, engaging story features a relatively simple plotline--smart girl frustrated by less-forward-thinking friends and family--and delightfully thorough characterizations that resound with emotional universality as they manifest the particulars of a time and a place American readers otherwise rarely glimpse. In perfect keeping with the narrator's youthful perspective, the young people's parents are visually exaggerated to go with stunted personalities. The locale is evoked handsomely in scenes set in Aya's working-class neighborhood, in her father's boss' chic mansion with its multiple living rooms, and during luminous nights some of the youngsters spend at the Thousand Star Hotel--that is, the nocturnally deserted market square. References to the period's worldwide hit TV show, " Dallas"; the aural backdrop of French pop music; and the cast's Ivorian traditional garments given a disco-twist vivify the rich cultural mixture of Western and newly independent African elements that " Aya" depicts. Abouet's storytelling is straightforward but gently nuanced, while Oubrerie's cartooning mixes sepia with bright hues that seem to reflect the ambient sunlight.(Reprinted with permission of Booklist, copyright 2007, American Library Association.)

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