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Waterfront Journals

ebook
0 of 1 copy available
Wait time: About 4 weeks
0 of 1 copy available
Wait time: About 4 weeks
Voices from the margins of American life tell tales of trickery, betrayal, sex, and defeat in these short monologues by “a spokesman for the unspeakable” (New York magazine).
 
In his full but regrettably brief lifetime, David Wojnarowicz was many things: a visual and performance artist whose radical work incensed the right-wing establishment, a tireless AIDS and anticensorship activist, and, most emphatically, a writer. His Waterfront Journals are a remarkable collection of fictionalized stories spoken in the voices of unforgettable characters the author met during his time spent living on America’s streets and traveling her back roads. The narrators speak from the heart and from the depths of despair, creating an often shocking and powerfully moving mosaic of life in the shadows.
 
Here are junkies and boy hustlers, truckers and hoboes. A runner tells of his encounter with two drug-using priests who openly and proudly discuss their various sexual exploits. Whores tell of johns who brutalized them and corrupt cops who did the same. A young man relays his tale of a seedy movie balcony pickup and his shocking discovery that his “date” was not who she seemed. Another man describes sex with an amputee Vietnam veteran. Each of their stories stuns with hard and haunting truths that will leave the reader staggered and breathless, yet exhilarated.
 
From a Lambda Literary Award winner and the subject of a new documentary by Chris McKim, these aredispatches from that region of dissolute grace at the city’s edge” (Time Out New York).
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    • Publisher's Weekly

      June 3, 1996
      With a raw, empathic ventriloquism, Wojnarowicz (who died of AIDS in 1992) fashions monologues from his encounters with hobos, truckers, hustlers and junkies he met during his years of cross-country travel. Using a stream-of-consciousness first-person prose style, Wojnarowicz (Close to the Knives: A Memoir of Disintegration) deftly draws upon the vernacular and cadences of street life. "Guy on 2nd Avenue 1:00 a.m." is delivered in one extended sentence, capturing the breathless urgency of the speaker. In other cases, staggered punctuation emphasizes the rambling quality of verbal recall. Because these stories are told as though the narrators were speaking directly to the reader, the tales of desperation, degeneracy and unsavory circumstances often lack a context or any type of resolution. Only the last two entries in the collection, both told in the author's own first-person narrative, explore more fully the themes of alienation and physical loneliness just touched upon in the preceding monologues. Most of the pieces succeed more as snapshots-dark corners of society illuminated with a strobe light.

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  • English

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