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Good Grief

A Novel

Audiobook
2 of 2 copies available
2 of 2 copies available
Thirty-six-year-old Sophie Stanton desperately wants to be a good widow-a graceful, composed, Jackie Kennedy kind of widow. Alas, she is more of the Jack Daniels kind. Self-medicating with ice cream for breakfast, breaking down at the supermarket, and showing up to work in her bathrobe and bunny slippers-soon she's not only lost her husband, but her job, house…and waistline. With humor and chutzpah Sophie leaves town, determined to reinvent her life. But starting over has its hurdles; soon she's involved with a thirteen-year-old who has a fascination with fire, and a handsome actor who inspires a range of feelings she can't cope with-yet.
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    • AudioFile Magazine
      When 36-year-old Sophie Stanton finds herself a widow, she copes the only way she knows how--by falling apart and surviving on ice cream. When her erratic behavior costs Sophie her job, she packs up, sells her house, and moves to Ashland, Oregon, to find herself and lose her grief. Amanda Foreman reads Sophie's struggles and triumphs with a solid sense of humor and tolerance, and captures beautifully the whiny nature of Sophie's rants, insecurities, and break-downs. The story itself moves slowly, but Sophie's self-pity, tiresome at times, is bearable thanks to Foreman's sympathetic performance. Foreman also shines when delivering the dialogue of 13-year-old Crystal, rife with attitude and self-destructiveness. A solid abridgment and happy ending make this a worthwhile listen. H.L.S. (c) AudioFile 2004, Portland, Maine
    • Publisher's Weekly

      Starred review from March 1, 2004
      "The grief is up already. It is an early riser, waiting with its gummy arms wrapped around my neck, its hot, sour breath in my ear." Sophie Stanton feels far too young to be a widow, but after just three years of marriage, her wonderful husband, Ethan, succumbs to cancer. With the world rolling on, unaware of her pain, Sophie does the only sensible thing: she locks herself in her house and lives on what she can buy at the convenience store in furtive midnight shopping sprees. Everything hurts—the telemarketers asking to speak to Ethan, mail with his name on it, his shirts, which still smell like him. At first Sophie is a "good" widow, gracious and melancholy, but after she drives her car through the garage door, something snaps; she starts showing up at work in her bathrobe and hiding under displays in stores. Her boss suggests she take a break, so she sells her house and moves to Ashland, Ore., to live with her best friend, Ruth, and start over. Grief comes along, too—but with a troubled, pyromaniac teen assigned to her by a volunteer agency, a charming actor dogging her and a new job prepping desserts at a local restaurant, Sophie is forced to explore the misery that has consumed her. Throughout this heartbreaking, gorgeous look at loss, Winston imbues her heroine and her narrative with the kind of grace, bitter humor and rapier-sharp realness that will dig deep into a reader's heart and refuse to let go. Sophie is wounded terribly, but she's also funny, fresh and utterly believable. There's nary a moment of triteness in this outstanding debut. Agent, Laurie Fox.
      (Apr.)

      Forecast:
      With a 100,000-copy printing, a low price point, a huge publicity push and blurbs from Jennifer Weiner and Billie Letts, this should hit the lists. Book Sense pick for March/April.

    • AudioFile Magazine
      At 36, Sophie Stanton is newly widowed. The stages of grief take her from her home in California to a new home in Oregon as she copes with denial, overeating, oversleeping, sloth, forgetfulness, and the deep sadness of missing her husband. Narrator Cassandra Campbell relates Sophie's erratic behavior with a heavy attitude, and there are so many unhappinesses in her story that the telling weighs the listener down. As Campbell goes on, however, the book becomes more enjoyable as the hope in Sophie's eventual recovery is revealed. J.P. (c) AudioFile 2004, Portland, Maine

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  • English

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