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Doing Time: 25 Years of Prison Writing

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1 of 1 copy available
1 of 1 copy available
“Doing time." For prison writers, it means more than serving a sentence; it means staying alive and sane, preserving dignity, reinventing oneself, and somehow retaining one's humanity.
For the last quarter century the prestigious writers' organization PEN has sponsored a contest for writers behind bars to help prisoners face these challenges. Bell Chevigny, a former prison teacher, has selected the best of these submissions from over the last 25 years to create Doing Time: 25 Years of Prison Writing—a vital work, demonstrating that prison writing is a vibrant part of American literature. This new edition will contain updated biographies of all contributors.
The 51 original prisoners contributing to this volume deliver surprising tales, lyrics, and dispatches from an alien world covering the life span of imprisonment, from terrifying initiations to poignant friendships, from confrontations with family to death row, and sometimes share extraordinary breakthroughs. With 1.8 million men and women—roughly the population of Houston—In American jails and prisons, we must listen to “this small country of throwaway people," in Prejean's words. Doing Time frees them from their sentence of silence. We owe it to ourselves to listen to their voices.
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    • Publisher's Weekly

      May 3, 1999
      Since 1973, PEN has sponsored an annual literary competition for prisoners. This anthology, selected from roughly 1700 submissions, showcases efforts that range widely in form, subject matter and quality. In a foreword, Sister Helen Prejean of Dead Man Walking fame touches on some of the questions readers will have: "Watch for the self-serving subtext. When your heart is moved, can you trust it? When you feel for the writers of these words, are you being had?" The book is broken into thematic sections such as "Initiation," "Time and Its Terms," "Family" and "Death Row." Though Chevigny made an attempt to include more women writers, women make up only 7% of the prison population, so the collection is overwhelmingly male. Anthony LaBaarca Falcone's poem, "A Stranger," uses circus imagery to mourn the daughter's childhood he missed. David Wood's eerily memorable story, "Feathers on the Solar Wind," is a searing portrait in which AIDS prods a man to accept personal and spiritual responsibility. Not surprisingly, most of these stories, poems and essays lack polish. But even some of the roughest pieces are driven by an emotional power that gives the sense of spending time with people who are composing not just for pleasure but for high stakes--the definition of a self, the confronting of personal demons, even redemption.

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  • English

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