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Midnight Cab

Audiobook
2 of 2 copies available
2 of 2 copies available

A terrified three-year-old boy is found clinging to a wire fence at the side of a country road. The only clue found by authorities as to the child's identity is a photograph of two little girls and a letter.

Sixteen years later, Walker Devereaux is in Toronto to discover the truth about his biological mother. Working as an after-hours cabdriver, Walker befriends Krista, a smart-alecky, wheelchair-bound night dispatcher. Together, they search for a key to Walker's past. But their after-hours sleuthing steers them ever closer to another abandoned boy who has become the embodiment of desperate, violent, and sinister pathologies.

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    • AudioFile Magazine
      James W. Nichol's novelized adaptation of his popular CBC radio series suffers here, despite Scott Brick's efforts to animate the slow pace and often maudlin text. And Brick has no easy task, considering that he must supply a huge amount of back story to what was once a witty, fast-moving piece of audio theater. When the text descends into characters' often distraught psyches, this thriller about a warped Canadian dynasty becomes an unbearable soap opera, as Brick lays on the emotion in an effort to be true to the writing. Listeners are recommended to listen to the original "Midnight Cab" for a markedly improved experience. D.J.B. (c) AudioFile 2005, Portland, Maine
    • Publisher's Weekly

      November 22, 2004
      Adapted from a popular Canadian radio drama, this light, engaging first novel by playwright Nichol is a coming-of-age story steeped in mystery. Abandoned by the roadside at the age of three, 19-year-old Walker Devereaux sets off to find his birth parents with the aid of only two clues: a photo of his mother as a child and a cryptic letter to her from her best friend. In pursuit of his past, he leaves his adoptive family and girlfriend in Big River and moves to Toronto, where he finds work on the graveyard shift at a cab company. He falls in with his dispatcher, the attractive, wheelchair-bound Krista Papadopoulos. Together, they follow the trail of Walker's parents as it leads from Toronto's chic Forest Hill neighborhood to the shores of Lake Erie and finally to Kingston, Jamaica. Nichol weaves in the story of Bobby, an animal-torturing, Hannibal Lechter–like character who Walker must confront if he is to learn his family's dark past. In an attempt to dissuade them from probing further, Bobby sets Krista's car on fire and kills Walker's cat, Kerouac. Undeterred, Walker soldiers on. Nichol's instincts as a playwright serve him well. The dialogue between Walker and Krista is quick and playful, and though the suspense rarely builds to Hitchcockian heights, the novel is well paced and the pages turn quickly.

    • AudioFile Magazine
      These two episodes of an "audio noir" CBC dramatic series feature a young, sad-sack cab driver who seems to attract villains on their way to hell. Creator/writer Jim Nichol has imagined, but imperfectly realized, situations and a back-story that allows him to develop his principal characters from installment to installment. His hero, would-be writer Walker Devereaux, is a conventional Canadian literary type--the shy, gentle, intelligent, ingenuous, put-upon loser. If you suspend disbelief over the author's improbable coincidences and forgive his stereotypes, you'll thoroughly enjoy some good dialogue, fine acting and superb directing. Casting the cream of Toronto's underused talent, producer-director Bill Howell excels at atmosphere and characterization. He paces musically and orchestrates production elements with consummate taste and artistry. He and his cast make the central character far more interesting than his adventures, and the adventures are plenty interesting in themselves. Y.R. Winner of AUDIOFILE Earphones Award (c)AudioFile, Portland, Maine

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  • English

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