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The Corrections

Audiobook
0 of 1 copy available
Wait time: At least 6 months
0 of 1 copy available
Wait time: At least 6 months
The Corrections has been hailed as "ferociously detailed, gratifyingly mind-expanding," by Booklist in a starred review. It is a New York Times best-seller, an Oprah's Book Club pick, and was shortlisted for the National Book Critics Circle Award. Crafted by New Yorker writer Jonathan Franzen, this novel draws parallels between the problems in one family and the malfunctions of modern society. Statistically, the Lamberts may be a typical Midwestern family. But in reality, they are far from it. Alfred, the father, is losing his fight to control Parkinson's Disease and dementia. His wife, Enid, no longer in control of her household, feels her choices slipping away. Their three grown children are struggling with their own clashes between dreams and disasters. But for one Christmas, Enid is determined to bring them together for the ideal family holiday. As Franzen traces the Lamberts' lurch toward the crisis of this Christmas, he seasons his novel with satire, humor, and affection. The final chapter, infused with hope, is the perfect conclusion for Enid's quirky quest to correct the course of her life.
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    • AudioFile Magazine
      Things are a mess in the Lambert family. Alfred, the father, is struggling with dementia; Enid, the mother, is trying to cope; and their three grown children are finding that life is not bringing them what they had planned. When Enid brings them all together for one last family Christmas, they lurch toward disaster and are redeemed. George Guidall narrates this bestselling National Book Award winner with a depth of understanding that sustains the long, multifaceted story. With his voice flattened slightly to match the Midwestern characters, he elaborates these personalities. Alfred's slow speech and tone of surprise when his mind tricks him yet again. Enid's mix of desperation and encouragement as she tries to persuade life to behave. The self-involved voices of the adult, yet not grown-up, children. A wonderful performance. A.C.S. (c) AudioFile 2002, Portland, Maine
    • Publisher's Weekly

      September 1, 2001
      If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson's-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.) Forecast: Franzen has always been a writer's writer and his previous novels have earned critical admiration, but his sales haven't yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG's publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour. Copyright 1999 Cahners Business Information.

    • AudioFile Magazine
      The author was profiled admiringly in THE NEW YORK TIMES MAGAZINE, the novel chosen by Oprah. The audio team at Simon & Schuster presents this bestseller brilliantly. Dylan Baker acts deftly, playing every part--male and female, young and old--superbly. The sound is excellent; the abridgment leaves the narrative thread intact. Franzen is a NEW YORKER staffer, and this is a slice of life, albeit a thick slice, the pathology report on two generations of an American family. The text is studded with prose baubles. Two women working in a kitchen sound "like a large bee and a smaller bee trapped behind a window screen." This is serious fiction, meant to delineate our moral agonies. Expect to be transported, but don't expect to escape. B.H.C. Winner of AudioFile Earphones Award, 2002 Audie Award Finalist (c) AudioFile 2001, Portland, Maine
    • Publisher's Weekly

      Starred review from July 16, 2001
      If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City
      (1988) and Strong Motion
      (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family—Alfred, once a rigid disciplinarian, flounders against Parkinson's-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.–Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast:Franzen has always been a writer's writer and his previous novels have earned critical admiration, but his sales haven't yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication,
      The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG's publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.

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