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The Longing for Less

Living with Minimalism

ebook
3 of 3 copies available
3 of 3 copies available
The New Yorker staff writer and Filterworld author Kyle Chayka examines the deep roots-and untapped possibilities-of our newfound, all-consuming drive to reduce.

"Less is more": Everywhere we hear the mantra. Marie Kondo and other decluttering gurus promise that shedding our stuff will solve our problems. We commit to cleanse diets and strive for inbox zero. Amid the frantic pace and distraction of everyday life, we covet silence-and airy, Instagrammable spaces in which to enjoy it. The popular term for this brand of upscale austerity, "minimalism," has mostly come to stand for things to buy and consume. But minimalism has richer, deeper, and altogether more valuable gifts to offer.

In The Longing for Less, one of our sharpest cultural critics delves beneath the glossy surface of minimalist trends, seeking better ways to claim the time and space we crave. Kyle Chayka's search leads him to the philosophical and spiritual origins of minimalism, and to the stories of artists such as Agnes Martin and Donald Judd; composers such as John Cage and Julius Eastman; architects and designers; visionaries and misfits. As Chayka looks anew at their extraordinary lives and explores the places where they worked-from Manhattan lofts to the Texas high desert and the back alleys of Kyoto-he reminds us that what we most require is presence, not absence. The result is an elegant synthesis of our minimalist desires and our profound emotional needs.
With a new afterword by the author.
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    • Kirkus

      Starred review from December 1, 2019
      From the delights of decluttering to the stillness of Kyoto's rock gardens--an intriguing deep dive into the many manifestations of minimalism. In this lively debut, freelance writer Chayka (New York Times Magazine, n+1, Paris Review, etc.) explores the universal desire for a "different, simpler...more authentic world" as evinced in the austerity of minimalism. Feeling overwhelmed by materialism, many of us believe "less could be better than more--in possessions, in aesthetics, in sensory perception, and in the philosophy with which we approach our lives." The author's book draws on examples from throughout history, as seen through the lens of four common qualities: reduction (seeking simplicity through getting rid of things), emptiness (including the minimalism of architect Philip Johnson), silence (exemplified by composer John Cage's 4'33"), and shadow (reflecting the ambiguity of Japanese Buddhism). In Chayka's view, the trendy lifestyle minimalism made popular by Marie Kondo and celebrated on SoHo storefronts ("Fewer, better") is the least of it. Sorting through your house will not bring "happiness, satisfaction, and peace of mind." The author's main interest is in the deeper minimalism of visual art, music, and philosophy that works "against" strict rules, offering no advice or solutions but confronting "existential questions on how to live in the modern world." The best of minimalism, argues Chayka, is found in "the fundamental miracle of our moment-to-moment encounter with reality" in the "quietly meditative" paintings of Agnes Martin, the metal boxes ("just there, without content") of artist Donald Judd, and Japanese philosopher Shuzo Kuki's (1888-1941) writing on "iki," the acceptance of uncertainty. Chayka discusses the lives and works of these and other minimalists, and he chronicles his visits to museums, Zen gardens, art installations, and a sensory deprivation spa, where he discovered the pleasantness of nothingness. The book is so thoughtful and absorbing it is quibbling to wish there were more photos and some consideration of literary minimalism. A superb outing from a gifted young critic that will spark joy for many readers.

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      December 1, 2019
      Critic Chayka first discusses how regimens for household organization invite faddish posturing by a flock of Marie Kondo wannabes. He then moves on to minimalism in the arts, with sections on Philip Johnson and his glass house, painter Agnes Martin, installations by Donald Judd (including his transformation of Marfa, Texas), the composers Erik Satie, John Cage, and Julius Eastman; and literature and philosophy from Heian period and early-twentieth-century Japan. On a more everyday front, our decidedly nonminimalistic use of screens, earphones, and virtual assistants only grows. So while Chayka is able to clear digital clutter from his mind at a sensory deprivation spa, that's only a brief and expensive respite. Of particular interest is Chayka's account of 1930s philosopher Richard Gregg, who studied with Gandhi and popularized a form of minimalism he called Voluntary Simplicity. In the 1970s, Duane Elgin, writing in the wake of Stewart Brand's countercultural Whole Earth Catalog rekindled interest, relaunched Gregg's idea as VS. Alluringly titled, Chayka's insightful book connects a wide array of thought-provoking approaches to the concept of less is more.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)

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