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Black Gods of the Asphalt

Religion, Hip-Hop, and Street Basketball

ebook
2 of 2 copies available
2 of 2 copies available

J-Rod moves like a small tank on the court, his face mean, staring down his opponents. "I play just like my father," he says. "Before my father died, he was a problem on the court. I'm a problem." Playing basketball for him fuses past and present, conjuring his father's memory into a force that opponents can feel in each bone-snapping drive to the basket.
On the street, every ballplayer has a story. Onaje X. O. Woodbine, a former streetball player who became an all-star Ivy Leaguer, brings the sights and sounds, hopes and dreams of street basketball to life. He shows that big games have a trickster figure and a master of black talk whose commentary interprets the game for audiences. The beats of hip-hop and reggae make up the soundtrack, and the ballplayers are half-men, half-heroes, defying the ghetto's limitations with their flights to the basket.
Basketball is popular among young black American men but not because, as many claim, they are "pushed by poverty" or "pulled" by white institutions to play it. Black men choose to participate in basketball because of the transcendent experience of the game. Through interviews with and observations of urban basketball players, Onaje X. O. Woodbine composes a rare portrait of a passionate, committed, and resilient group of athletes who use the court to mine what urban life cannot corrupt. If people turn to religion to reimagine their place in the world, then black streetball players are indeed the hierophants of the asphalt.

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    • Publisher's Weekly

      Starred review from March 14, 2016
      Inner-city youth turn to hoops to find hope and healing in this vivid ethnography of street basketball in Boston. Viewing street basketball as an urban “lived religion”—where the principal problems and structural sins of inner-city life are ritualized, renegotiated, and reimagined—Woodbine interprets the games as religious performances and practices where young men exorcise their metaphorical demons through dancing, exercising, and dunking. This narrative is more than academic prose; it is a deeply personal and poetic travel through the author’s own story of racial struggle and the survival tactics of the players he befriends. The composition drips with Woodbine’s passion for the game as he weaves street-court scenes of damnation and redemption with richly textured biographies of the young men who play to fight off the specters of racism, violence, and drug addiction. In this majestic study of basketball as ritual, religion, and culture, Woodbine plunges into the courts of Boston with an insider’s savvy to catalogue the urban sport’s pulsating (and potentially transcendent) dialogue.

    • Booklist

      April 1, 2016
      Hoops to the nth degree. The author is a street-basketball player himself as well as a Yale graduate, and his book combines personal experience and city life with careful research and quotations from Derrida, theologians, and scholars of many sortsan unlikely combination that works well. This is participant ethnography with a difference: it's authentic. Woodbine's got game, on the court and on the page, and here he dunks emphatically. From the time we meet Shorty, a street-basketball legend, through a brief history of the game and its link (religion playing a large role) to young African American culture, we learn of basketball, and the many lives it memorializes, as we have in few other books. Woodbine's ethnographic canvas is the inner city of BostonRoxbury, Dorchester, Mattapanand while it would have been instructive to visit at least one other city (like New York) to see how it matched or differed, one suspects that the findings would have been nearly identical. Basketball can be ennobling, on whatever street or court it's played.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)

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  • English

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