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Pretty

A Memoir

Audiobook
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Winner of the 2025 GLCA New Writers Award • By a prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.
Even as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions—Pretty is as much a powerful and tender love letter as it is a call for change.  
“I should be able to define myself, but I am not. Not by any governmental or cultural body,” Brookins writes. “Every day, I negotiate the space between who I am, how I’m perceived, and what I need to unlearn. People have assumed things about me, and I can’t change that. Every day, I am assumed to be a Black American man, though my ID says ‘female,’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you’re something else entirely?” 
Informed by KB Brookins’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as “other”
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    • Publisher's Weekly

      March 25, 2024
      Nonbinary poet Brookins imagines “a world where don’t have to be resilient” in their bold debut. Flitting in time between their early childhood and young adulthood, the 28-year-old author recounts growing up as an adopted, church-going, Black lesbian in the Stop Six neighborhood of Fort Worth, Tex., where their masculine interests and religious antipathy made them an outsider. With the aid of pop culture—namely Ciara and Frank Ocean—they became their own mentor, teaching themselves, in fits and starts, precisely how they’d like to show up in the world. Brookins’s writing thrives on well-observed juxtapositions: as the author explored their gender expression, they often acted “toxically masculine” even as they ached to be “treated softly”; medical transition helped them come across as they’d always hoped, but they found that others started to see them as a “scary Black man,” with all the baggage that stereotype conjures. Linguistically, Brookins pulls equally from playful internet slang and queer theory, often joining both syntaxes in the poems that punctuate each chapter. Though the final product feels slightly underbaked—there’s little narrative thrust—the author’s dazzling voice and sure-footed perspective manage to hold everything together. Brookins is a writer to watch. Agent: Annie Dewitt, Shipman Agency.

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  • English

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