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Things to Do When You're Goth in the Country
and Other Stories
1 of 1 copy available
Described in language that is brilliantly sardonic, Woods's characters return repeatedly to places where they don't belong—often the places where they were born. In "Zombie," a coming-of-age story like no other, two young girls find friendship with a mysterious woman in the local cemetery. "Take the Way Home That Leads Back to Sullivan Street" describes a lesbian couple trying to repair their relationship by dropping acid at a Mensa party. In "A New Mohawk," a man in romantic pursuit of a female political activist becomes inadvertently much more familiar with the Palestine/Israel conflict than anyone would have thought possible. And in the title story, Woods brings us into the mind of a queer goth teenager who faces ostracism from her small-town evangelical church.
In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.
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Creators
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Publisher
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Release date
October 16, 2018 -
Formats
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OverDrive Listen audiobook
- ISBN: 9781977399434
- File size: 214424 KB
- Duration: 07:26:42
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Languages
- English
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Reviews
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July 10, 2017
“Approach all unpleasant tasks in life as a performance art piece,” declares an unnamed 16-year-old goth in Woods’s collection of eight uncompromising stories set in rural Illinois. In visceral descriptions of decay, boredom, and limited opportunities, Woods (The Albino Album) besieges her coming-of-age characters with drugs, guns, jail, pedophilia, and teen pregnancy. In “Zombie,” unsupervised tweens care for a homeless, battered woman who’s secretly living in a mausoleum. In “Take the Way Home That Leads Back to Sullivan Street,” a codependent couple tries to make their relationship work amid drugs, schizophrenia, and self-absorbed parents. The most heart-wrenching story, “What’s Happening in the News?”, is a punch-to-the-gut exposé of the hypocrisy of religious zealots who organize consumer boycotts and repress sexuality, and of military recruiters who exploit poor teens with no other options. As Woods’s characters struggle to eke out an identity, they confront the bleak difficulties of their lives and persist in surviving.
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